In this passage Winston is in the dreaded Room 101 with OBrien and is forced to tarry his cudgel fear in the world, rats. He succumbs to the pressure and commits the eventual(prenominal) playact of betrayal, the betrayal of Julia, to avoid this horror. This is a turning take apart for Winston because from this point in time on he is unprotected to the Partys influence; the author manages to try this through several floor devices. This passage consists mostly of order speech interrupted by swindle passages of set down verificatory discourse from Winstons point of view. This is a contrast to the lead up to this extract which contains mostly free in necessitate discourse with a small come of direct speech. The stamp created by this transmit is a support of the throw in location, previously he was in a reasonably comfortable cell, however, with this change to direct speech he is now in a contrastive cell. Another effect created by the direct speech is a personal tie-u p between O Brien and Winston, the former taking considerable personal arrogance in the work that he does. The change here similarly represents the change about to occur in Winston as he becomes another robot-like figure. This passage differs from the rest of the employment in a number of ways.

The tone of Orwells writing representative is a evenhandedly unassuming one, explicitly stating things throughout the allegory using a casual tone as unconnected to a evening gown one; however, here he does not break move out to mock things. This change represents the turning point for Winston emphasizing the distre ssfulness and gravity of the situation. At t! he beginning of this passage Orwell uses neat sentences and short paragraphs which build up the tension: The door unresolved again. A guard came in, carrying something made of wire, a box or... If you expect to bewilder a full essay, order it on our website:
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