Commentary on ‘A Streetcar Named Desire’ Essay

In the novel A Streetcar Named Desire by Tennes recover Williams, a motion picture that often catches the attention of readers is the poker facet. It begins when Blanche and Stella re travel from seeing a show too early, not lacking(p) to have been a animal magnetism or a nuisance while the custody played poker. Stanley impolitely dismisses the ladies making sure they know they arent welcome to join in, the tension escalates as does the banter and Stanley whacks Stellas thigh to supplant the discussion. Mitch and Blanche and so attain for the first metre as he exits the bathroom and they are twain immediately taken with each other.The poker games continues to progress and the ladies listen to the radio receiver receiver and gossip about the men, Stanley becomes unnecessarily agitated by the medicinal drug and insists that they turn it collide with. Mitch consequently deals a kick in and leaves to talk to Blanche, he offers a buttocks from a silver case, which he and so continues on to explain the import behind it, being from a girl whom he was at one time manifold with that passed external. They continue to talk and Blanche explains how she was an position teacher and enjoyed her job even though the majority of her students didnt retain much interest in the English curriculum.Then, the real action begins to unfold Blanche turns the radio back on, not apprised of what her actions forget lead up to. Stanley was already at his wits end by the first beat he ordered the radio glowering off and a second provocation would only lead to trouble. The music begins to play Wein, Wein, nur du exclusively(prenominal)ein which translates to Wine, Wine, and you alone giving the reader auditory imagery. I break this ironic, as I believe Blanche is an in denial alcoholic, perhaps the form suggests that the only say she puke really rely on for comfortableness is alcohol.She then begins to dance, waltzing with romantic hand gestures, this gives pro of of her aristocratic and privileged elevation for few of lower standing would know how to waltz. As for the romantic hand gestures, Blanche is utilizing her means of coquettish seduction on Mitch (who seems all too riant to be at the receiving end to her tryst) as she desperately clings to the idea of a stable and supportive relationship with a husband (as well as a source of income and roof over her query).This course of action has Stanley in truth riled up, even more so then before. The first time I read this passage I believed his enkindle to be angry and simply unnecessary, but by putting yourself in his shoes it is practical to visualize where hes coming from. Stanley sees himself as a virile man completely sure of himself and filled to the brim with testosterone.Now immingle that with whiskey, more testosterone, a little friendly competition and the fact that hes losing, its a disaster waiting to happen. Stanley prides himself on his office staff and incorporate of his friends, so when his pleasants start to go south and he begins to loose face among them something he prides himself upon. Its logical to say that his reaction will be harsh to any form of provocation using it as an outlet to his frustration and anger, no egress how unconscionable it was.As Stanley reacts to the radio being played the visual imagery and his disposition becomes wild, animalistic and primordial. He stalks fiercely to the radio, snatches it up, shouts an oath and then throws it out the window. In my opinion Stanley gives off a strong sense of Neanderthal attitudes because his actions are so primal and savage. In the next railway line of products Stella even accuses him of being such stating intoxicated d dallyk animal thing, youI think it is this accusation from Stella that makes Stanley snap, taking his anger and need for violence past the point of no return. Stella was the last suck up in his anger coming to be so severe, because after his friends winnin g more then he, taking some authority and control away form him, his wife then blatantly insulting him in motility of his friends on top of that had to do it. Even in his approach he is like an animal Stanley charges after Stella as if he is predator and she is foredate (which in this scenario it is safe to say was the case).His friends make feeble attempts at soothe Stanley down, toilsome not to anger him further and at the alike(p) time avoiding his wrath being directed towards them. At this point I think Stella knows whats going to happen and her threats of retaliation are empty as she warns You lay your hands on me and Ill as she backs out of the scene with Stanley in pursuit. A cacophony of noises is then heard as Stanley hits Stella and then as if the limelight has been off Blanche for too long she begins to scream and run around. Bringing attention back to herself, it also has to do with the fact that she has neer been put in conditions as such and is useless, thus sh e must muster up some way to give herself the importance she craves so badly.Stanleys men finally step up to restrain him in the throes of the crazed befog of rage he has succumbed to. Even in a condition as his he nearly throws them off giving the reader a varan of the brute force and strength that is Stanley. Then as if hit with an epiphany of groovy importance, realization hits, he surfaces from his delusions all at once he subsides and is hang-up in their grasp. Stella, presumably still in shock and vexation from what has occurred claims that in a high, unnatural voice, out of sight I want to go away, I want to go away whats interesting about this line is that her tone brings us back to Stanleys demeanour before he attacked her, inhuman, actually much like an animal which brings one to call into question that if Stella can react as such that maybe they arent so antithetic from each other in that they can be both very animalistic at times.Mitch is one of the quieter char acters in this play, much more uncommunicative and miles more civilised then any of the other male characters. And after all these things have occurred he finally speaks up, simply stating that Poker shouldnt be played in a house with women Now, what I see hes trying to get across is that all of the preceding conflict and violence is solely to blame upon the fact that women were in the same building in which poker was being played, Surely this faction cannot be so dangerous as to inspire domestic abuse? Mitch is damage on this matter because it is obviously not a dangerous combination it is Stanleys overbearing and easily angered personality that makes the situation so volatile. As I said before, Stanley was just a time flush it waiting to go off it was just a matter of somebody setting him off (in this case, Stella).After all of this has come to pass, Blanche hastily takes Stella up the stairs to the neighbours, Stanley realizes what has happened, that Stella is gone and beco mes frantic. Becoming violent and telling his men to Let go of me, you sons of bitches it is unsure whether he is going to become mad with anger once again. His friends see this and hastily make their way out, not forgetting to reclaim their winnings. Tennessee Williams then uses repetition to enforce Mitchs sexist opinion on the matter by having him state, again, that Poker shouldnt be played in a house with women as if the outcome was unavoidable due to this.Our attention is then taken back to Stanley as he continues through this almost dear and emotional realization that Stella has left him, shortness of breath and crying out for her, this result is brief though and he soon becomes demanding and stubborn with Eunice (the neighbour) in wanting Stella back. When his plight proves useless, its as if hes relapsed back into the desperate, sobbing man he was a moment before, maybe in thought that this is the best course of action to manipulate Stella into returning.An animalistic r eference is do again to Stanley in the description of his actions in that he throws back his head like a baying hound and bellows his wifes recognise Stella Stella, sweetheart, Stella This continues along with more banter with the neighbour until with one last attempt, as if he is back to his normal self, he cries out with heaven-splitting violence STELLL AHHHHH After a moment, Stella emerges and the two come together with an unspoken amount of emotion.This passage is highly intimate and tender, not something that is often witnessed on stage or in books because it takes on such a personal and real feeling. Even as they come together there is still this animosity in the line they came together with low, animal moans. Stanley is a strong symbol of virility, manhood and all that is masculine but as he kneels half-naked and exposed on the pavage outside their house desperately crying out for his wife it makes you wonder if there is more to him then what the reader thinks.It is a dif ficult scene to act out in my opinion because the actor must be enticing and terrifying at the same time. Hence, Stellas unhealthy friendship towards him, even when shouting her name in desperation on the paving material he still remains a dominating force that pulled her towards him. Their reunion at the bottom of the steps is without words purely physical with a hint of tenderness as Stanley carries her back into their flat.What I think Tennessee Williams was trying to make the reader/audience feel when writing this passage was awe and queerness at the same time. Fear from what would happen to the characters, namely Stella from Stanley and curiosity for the same reason. What makes this scene so interesting is the conflicting emotions coming from all of the characters, Blanches seduction of Mitch and need to feel useful, Stellas embarrassment and worship of Stanleys actions, Mitchs defensiveness of Stanleys actions, the other friends wariness if not worry of Stanley and Sta nleys anger and frustration at needing to be in control of the situation at all times. Needless to say, it is an incredibly complex situation, which at the same time remains extremely ironic.